Q&A: “Jewelry” vs “jewellery”

Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its rules, regulations and ridiculousness. It’s a celebration of language, masquerading as a passive-aggressive whinge about words and weirdness. This week, ringing the changes… Q: Hi

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Furious Fiction September 2022 winner and shortlist

How does one celebrate FIFTY editions of Furious Fiction? Why, just like our previous 49 – we dish out some creative criteria for the world’s collective imaginations to do their thing in 500 words or fewer. Here were the September criteria: Each story’s first sentence had to contain the word

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COMP CLOSED: ‘Runt’ by Craig Silvey

‘You don’t have to carry the weight of the world in your tool belt.’ This week’s giveaway is a heart-warming, funny, beautifully told story for readers of all ages from the bestselling author of Jasper Jones and Honeybee. The book is Runt by Craig Silvey, and we have three to

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An insider’s guide to story structure

By Allison Tait Do you know an inciting incident from an exciting accident? Do you know what needs to happen at the mid-point of your story? Have you heard of the three-act structure? Structure is one of those areas of writing fiction that can feel both simple and incredibly complicated.

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VIDEO: Kate Forsyth on her novel, ‘The Crimson Thread’

Dr Kate Forsyth is an award -winning author, poet, and storyteller. Her most recent novel is The Crimson Thread, a reimagining of ‘The Minotaur in the Labyrinth’ myth set in Crete during the Nazi invasion and occupation of World War II. Her other historical novels include Beauty in Thorns, a

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Q&A: Why are sick people called “patients”?

Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its rules, regulations and ridiculousness. It’s a celebration of language, masquerading as a passive-aggressive whinge about words and weirdness. This week, give me patients… Q: Hi

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A photograph of author Danielle Clode and a Koala, accompanied by the cover of her book Koala A Life In Trees.

So you want to be a natural history writer

Love koalas, nature and writing? You might be interested in the life of a natural history writer. But what is a natural history writer and what do they actually write about? We talk to Danielle Clode, a biologist and natural history writer. She is the author of five books, including

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A celebrating, well-dressed man in a purple suit and green hat. Accompanying image text reads “10 great reasons to write short stories”.

10 great reasons to write short stories

Whether you’re beginning your writing journey or looking for a distraction from your latest novel manuscript, short stories are a great way for writers to grow. In fact, we’ve collected 10 great reasons to consider making your next story a short one! 1. You get instant gratification It’s incredibly rewarding

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Q&A: “Gallivant” vs “galavant”?

Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its rules, regulations and ridiculousness. It’s a celebration of language, masquerading as a passive-aggressive whinge about words and weirdness. This week, the gallivant in the room…

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VIDEO: Polly Phillips on her novel ‘The Reunion’

Polly Phillips currently lives in Australia, although she is originally from the UK. She’s the author of The Reunion and My Best Friend’s Murder, which won the Montegrappa Writing Prize at the Emirates Literature Festival in 2019. Polly has also worked as a journalist in Australia, Dubai, Denmark and the

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8 songs about writing to use in your Instagram reels

By Allison Tait In case you haven’t heard, everyone’s jumping on board the Reels train to expand Instagram engagement. If you’ve been living under a rock and are not familiar with Instagram Reels, these are short, 15-90 second video clips. Wait, whaaat? You thought Instagram was all about photos, not

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Q&A: “Camouflage”?

Each week here at the Australian Writers’ Centre, we dissect and discuss, contort and retort, ask and gasp at the English language and all its rules, regulations and ridiculousness. It’s a celebration of language, masquerading as a passive-aggressive whinge about words and weirdness. This week, we’re having lessons in disguise…

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